There's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is d... Read allThere's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness.There's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness.
- Director
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- Stars
- Awards
- 2 wins & 3 nominations total
Fermí Reixach
- Villalobos
- (as Fermi Reixach)
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Well, it is difficult for me to judge this movie. As a die-hard fan of dark moody films, like The Others, The Ring, Sixth Sense, The Blair Witch Series, The Crow, etc. I set really high standards. I expect every scene to have a meaning - if something flickers in the background it has to come forward at some time, if there is a lot of references to something then it means it has to have a deeper meaning sooner or later, etc... but, alas, this movie tried to seem to be more than it was. It's enticing, thrilling and delightfully creepy in the beginning - but later it starts to get more and more repetitive and, frankly speaking, boring. How many times can one character ask another how they got some weird bruises and not get any answer at all? How many times can weird shadows appear in dark rooms, without even trying to mean anything?
In other words, if you're not a "horror connoisseur", and just enjoy a good scare that does not necessarily have to be a piece of art, and don't mind a banal plothole-ridden outcome, then you're going to like this movie a lot. But if you expect innovation, pieces perfectly fitting one another at the end, subtle innuendoes that converge in a final surprising climax - then, sorry, you're looking on the wrong shelf. 5/10.
In other words, if you're not a "horror connoisseur", and just enjoy a good scare that does not necessarily have to be a piece of art, and don't mind a banal plothole-ridden outcome, then you're going to like this movie a lot. But if you expect innovation, pieces perfectly fitting one another at the end, subtle innuendoes that converge in a final surprising climax - then, sorry, you're looking on the wrong shelf. 5/10.
Maria (Lena Olin) and Mark Rua (Iain Glen) with their children Regina (Anna Paquin) and Paul move into an isolated house in Spain. Mark is troubled and has a complicated relationship with his father Albert Rua (Giancarlo Giannini).
Director Jaume Balagueró seems to have a grasp on moody horror visuals. The movie mostly works, if somewhat a slow bore, until the last act. It's a mistake to separate Anna Paquin from the family but sending her back to the house may be a bigger mistake. The movie needs to plant the seeds of this premise a lot better and a lot sooner. The opening tells us nothing other than a 40 years difference. By that alone, we have to assume either Mark or Maria's involvement. There could be so much more done with this premise. It needs to introduce the darkness sooner. They should start killing right away. The story needs work.
Director Jaume Balagueró seems to have a grasp on moody horror visuals. The movie mostly works, if somewhat a slow bore, until the last act. It's a mistake to separate Anna Paquin from the family but sending her back to the house may be a bigger mistake. The movie needs to plant the seeds of this premise a lot better and a lot sooner. The opening tells us nothing other than a 40 years difference. By that alone, we have to assume either Mark or Maria's involvement. There could be so much more done with this premise. It needs to introduce the darkness sooner. They should start killing right away. The story needs work.
This has got to be the absolute worst of all of the Asian horror rip-off wannabees around. It is the least terrifying and most boring of all the horror films I've seen since the year 2000, and perhaps even earlier.
The whole plot idea is just another version of The Shining with some Poltergeist stuff mixed in for good measure. Every time the father goes wacko, I'm fully expecting him to pop his head through someplace and say, "Here's Johnny!" There's positively no suspense in this thing at all and the whole last half hour is completely obvious, so it's just a matter of, do you turn it off, or watch to see how right you are. Besides that, the story idea is beyond lame and without any depth or thoughtfulness. It's a exercise in pursuing filmic style over substance, yet here the substance is almost non-existent and the style is plagiarized.
To make matters worse, the acting is tepid at best. The actors portraying the mother and father turn in rudimentary performances without conviction, the son is also just there for the filling. The most terrifying moments of the whole film are when watching the performance of the daughter, basically a one-note deal, with every facial expression used for effect being about the same, and a monotone voice warbling in constant teenage angst. We have characters constantly whispering for no reason regardless of their setting.
Also, the daughter is just about the most obnoxious and bitchy teen girl ever, and attempts to present herself as the moral fascist in charge of the family. Viewers may find themselves hoping for her demise at the end just to be rid of her. And also hoping for the end to come as soon as possible so they can watch something else.
PS: I've read every HP Lovecraft story published, and I don't see this as being anywhere close to "Lovecraftian".
The whole plot idea is just another version of The Shining with some Poltergeist stuff mixed in for good measure. Every time the father goes wacko, I'm fully expecting him to pop his head through someplace and say, "Here's Johnny!" There's positively no suspense in this thing at all and the whole last half hour is completely obvious, so it's just a matter of, do you turn it off, or watch to see how right you are. Besides that, the story idea is beyond lame and without any depth or thoughtfulness. It's a exercise in pursuing filmic style over substance, yet here the substance is almost non-existent and the style is plagiarized.
To make matters worse, the acting is tepid at best. The actors portraying the mother and father turn in rudimentary performances without conviction, the son is also just there for the filling. The most terrifying moments of the whole film are when watching the performance of the daughter, basically a one-note deal, with every facial expression used for effect being about the same, and a monotone voice warbling in constant teenage angst. We have characters constantly whispering for no reason regardless of their setting.
Also, the daughter is just about the most obnoxious and bitchy teen girl ever, and attempts to present herself as the moral fascist in charge of the family. Viewers may find themselves hoping for her demise at the end just to be rid of her. And also hoping for the end to come as soon as possible so they can watch something else.
PS: I've read every HP Lovecraft story published, and I don't see this as being anywhere close to "Lovecraftian".
I had heard bad things from the few people I know who had seen this film. I was still curious though, I think Anna Paquin is a somewhat underestimated actress who is rarely given what you could call a leading roll. Other than that, I knew nothing that the back of the DVD case couldn't tell me. Anyways.
I really enjoyed this film. It was well made, it was tastefully done and yes I found it to be scarier than just about anything else I've seen lately. Plus it features a pretty good turn by Fele Martínez who also starred in 'Abre los ojos', the film Cameron Crowe dubbed in English and called Vanilla Sky.
I really enjoyed this film. It was well made, it was tastefully done and yes I found it to be scarier than just about anything else I've seen lately. Plus it features a pretty good turn by Fele Martínez who also starred in 'Abre los ojos', the film Cameron Crowe dubbed in English and called Vanilla Sky.
This movie is not your typical American horror flick (which makes sense since it's a Spanish film). It's a far cry from the gory, cliché-ridden and painfully explained horror movies that American audiences are used to.
Darkness disturbed me on different levels. One of them was the family dynamics (notably the father's mental issues), and the suggested potential for violence. The other was the supernatural element, which was used in a subtle and truly frightening manner.
I've seen thousands of horror movies in my lifetime, and this is one of the best. However, if you are not one for nuances and feel that gore is a requisite from a horror movie, then stay away from this one.
Darkness disturbed me on different levels. One of them was the family dynamics (notably the father's mental issues), and the suggested potential for violence. The other was the supernatural element, which was used in a subtle and truly frightening manner.
I've seen thousands of horror movies in my lifetime, and this is one of the best. However, if you are not one for nuances and feel that gore is a requisite from a horror movie, then stay away from this one.
Did you know
- TriviaOne of the three films that received an "F" CinemaScore from audiences upon their release in 2002, along with Feardotcom (2002) and Solaris (2002).
- GoofsWhen Paul lines up his colored pencils, a crew member's hand can be seen with an air nozzle ready to make the pencil roll under the bed.
- Alternate versionsThe following scenes were cut for the US theatrical version:
- After Maria (Lena Olin) and Regina (Anna Paquin) talk at the breakfast table about unpacking, there is extra dialogue in which Regina admits she hasn't decided if she is staying or not. Interestingly, Dimension cut all references to the family have these kind of domestic issues with the daughter.
- Following the first scene at the swimming pool, there is a brief scene where Regina is visited by her boyfriend Carlos ('Fele Martinez') in the girls' locker room. They talk briefly about him coming over and she chastises him for sneaking into the locker room. A girl walks by in the background in a towel and no nudity is in the scene. When Mark (Iain Glen) is driving Paul (Stephan Enquist) to school, Paul asks, "Are you and Mom going to split up?" Mark responds by saying that "only families that don't get along split up."
- After Mark arrives home from the hospital, Regina has an argument with her mom on the front porch. The US version edits a section of dialogue where the mom says, "If you don't like it here than you can just get your things together and go."
- Following this fight, Regina visits Carlos in his apartment. She tells him about the argument while he develops photographs.
- Following her father's row with the electrician, there is an extra scene where Regina returns to her room where Carlos is painting. He surprises her by taking a photograph (during the flash the ghost children are seen; it figures in later). She says to him, "I'm staying." When Carlos asks why, Regina tells him not to ask her and only says, "I can't leave now."
- Regina and Carlos have additional dialogue before the scene where she tells him about her father condition at the swimming pool. She reiterates that he shouldn't ask her what is going on.
- During Mark's second attack when he begins cutting the potatoes franticly with the knife, there are a series of flashes back to his past. After he cuts his hand, there are several close ups of the bloody hand and blood dripping onto the floor.
- Two extra scenes appear back to back. One has Regina and Carlos in front of a computer looking up information and discovering "Ouroboros" and a website outlining some of the ritual. The other has the architect discovering the original letter with the design plans of the house while he is digging through papers. The US version cuts straight to Carlos and Regina in the library.
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- The Dark
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,600,000 (estimated)
- Gross US & Canada
- $22,163,442
- Opening weekend US & Canada
- $6,400,000
- Dec 26, 2004
- Gross worldwide
- $33,988,736
- Runtime1 hour 28 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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